A Moment Amid the Turmoil

I came across the photograph below in the excellent slideshow the Los Angeles Times posted summarizing two days of protests and associated unrest in the city. (The slideshow is part of the Times’ running story on the George Floyd protests. The large version of the image is here.)

To my eye — and I’ve got one good one — this is a thrillingly beautiful image. The combination of the deserted freeway (with the completely jammed adjacent lanes visible), the skateboarder in perfect focus, the police vehicles out of focus down the slope, the spectators on the overpass in the background recording the scene: such subtly balanced elements.

And it’s just a moment. It passed in the smallest fraction of a second. The skateboarder was in motion, no doubt, and everything else, including the photographer (the Times’ Wally Skalij), likely shifted slightly, too, before the next frame fired.

The skateboarder’s relaxed body language belies the urgency and strangeness of his situation. There’s more assessment than defiance in his stance. I have no idea what he was headed for, what he was thinking, whether he was looking for an escape route, or whether there was any way off the freeway without getting arrested. The whole scene kind of reminds me of Steve McQueen trying to outrun the Germans in the motorcycle sequence in “The Great Escape.”

Last, reality has been suspended here. A man engages a photographer in a space that neither would ever inhabit together except in the midst of a catastrophe. The tragedy that brought both of them to this spot is dimly visible here in the flashing emergency lights in the distance. But the pain and rage sweeping over the city and hanging over the world beyond, the police officer throttling the life out of a man on the pavement, the terrible indifference to the dying man’s pleas, have been pushed nearly out of sight. For just this moment.

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