
A while ago, a friend reposted an appealing little essay she’d come across on Facebook. The piece told of a Georgia high school history teacher who’d done his best for more than three decades to show his students the complex reality of the United States’ past.
“… My classroom was a living thing,” the essay said. “History there wasn’t a series of sterile, polished dates; it was loud, complicated, and often painful—just like the country itself. I taught the brilliance of the Constitution alongside the brutality of the Middle Passage. I wanted my students to feel the gravity of our past, to recognize the ghosts that still haunt our halls.”
The piece was attributed to an Elias Vance, and I have to say, he sounds like my kind of history teacher, telling it like it was (and is). But all was not well in his world, he wrote. His teaching had come to the notice of local school officials, who deemed his insistence on teaching the truth “divisive.” Faced with a demand to “soften the edges” of his lessons, to use dumbed-down textbooks and to emphasize America’s “positive heritage,” he walked. Now, he said, he spent his days posting occasionally on “the local community pages”:
“Just brief reflections, sharing the narratives the new books want to omit. I write about the unsung figures, the hard-earned victories, and the complex, tragic, beautiful story of us. The comment sections are a sea of former students—some now parents themselves—and total strangers. They all echo the same sentiment: “Don’t stop, Mr. Vance. We need the truth.”
Of course, when I went looking for more about the heroic Elias Vance, the story immediately fell apart. Our high school history hero proved to be an AI creation (as Snopes later confirmed ). Oh, the irony: an essay extolling the virtue of truth, the necessity of honestly appraising our history, that was a total fabrication.
Is there any harm in that? As my friend said when I pointed out the Elias Vance story was made up, the tale does point to a real issue — the push by Trump and his movement to sanitize, rewrite or deny key aspects of our history. The AI-generated story happens to present the issue in a way with which lots of people will sympathize: those alarmed by our president’s totalitarian impulses; those appalled by the denial of the nation’s legacy of racism and racist violence; those disgusted by attempts to erase the memory of Trump’s campaign to overturn the 2020 election.
It’s true that our history is full of fables and too-good-to-be-true tales of virtue and heroism going back at least to Parson Weems’s invention of the George Washington cherry tree myth. Some of the stories are even based in fact. Abraham Lincoln really did have a nearly universal reputation for honesty. John F. Kennedy really was decorated for heroism for saving his PT 109 crew after it was struck by a Japanese destroyer and sank during World War II.
But it’s important to know the difference between pure invention and narratives based in fact, even when some of the facts may be disputed (some point to Lincoln’s penchant for political calculation as undercutting his “Honest Abe” image; naval experts are still debating the role Kennedy’s command decisions played in the sinking of PT 109).
So yes, in a world where it’s becoming harder and harder to retain a grip on what’s real and what’s not, the “Elias Vance, Honest History Warrior” hoax is damaging. It further erodes the boundary between reality and fiction. It also exposes a related problem: the tendency of large segments of social media audiences, even really smart people, to uncritically accept much of what they read and see.
To be honest, when I first saw the Elias Vance post, I was thinking of reposting it myself. But first I wanted to know more about Mr. Vance. Within a couple minutes of searching him online, it was apparent he didn’t exist. Within 10 minutes, it was obvious the story came from a Facebook account that has churned out multitudes of inspirational, AI-generated stories about people doing good deeds for the less fortunate. It was also clear that the account is just one of many — thousands? tens of thousands? millions? — doing the very same thing.
(The AI services people prompt to produce these stories often name the heroes “Elias Vance.” Why? ChatGPT has an answer, and so does Google’s Gemini service. )
One example relates the story of a 72-year-old high school custodian who dies alone during his overnight shift and posthumously turns out to have been a mentor and benefactor to generations of students. It’s hard to do the story justice, really — ancient, kindly Mr. Vance, who to the teaching staff was merely “the invisible old man in the grey uniform who unclogged the toilets,” was running an all-in-one tutoring, crisis counseling and nutrition support service. He taught calculus, bought clothing for kids in need and was a reassuring ear to students facing crises like how to come out or deal with teen pregnancy. He even talked a student out of downing a bottle of pills to end her life. The story is chock-full of details like this:
“Elias’s daughter, Brenda, flew in from Chicago. She stood by the casket, looking overwhelmed and expensive in her designer suit. She told the funeral director she expected maybe ten people. She told him her father was a ‘distant man,’ a workaholic who cared more about his job than his family. ‘He never called,’ she said, adjusting her glasses. ‘He was always “working late.” I never understood why he loved mopping floors so much.’ “
There are probably dozens of other AI-generated Elias Vance stories floating around out there on social media. He’s a hero in some, a villain in others. Unlike the story of Elias Vance the history teacher, most are pretty obvious fictions.
Maybe the “Elias Vance History Teacher” tale reflects something real about our times, and that’s something that needs to be said. By the same token, though, it’s more important than ever to know what’s “real” in terms of events that have actually transpired and what’s invented to make a point about events. “The Grapes of Wrath” is an amazing and truthful document of its times, but it wasn’t a documentary.





