Air Blog: Over the Sierra

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Here’s a shot (click for larger image) from my flight to Chicago last week as the plane headed northeast toward the north end of Lake Tahoe. That’s French Meadows Reservoir, on the Middle Fork of the American River, at the top, Hell Hole Reservoir, on the Rubicon River, at the bottom.

Both reservoirs are at about 25 to 30 percent capacity; Hell Hole is at about 50 percent of its average level for this time of year, French Meadows is at about 66 percent average. Both are operated by the Placer County Water Agency, which supplies or sells water to in much of the Sacramento metropolitan area and northeast along the Interstate 80 corridor.

Besides the signs of drought in the image, one other notable feature: the brown area to the lower left and between the two reservoirs is part of the 97,000 acres burned in the King Fire in September.

Road Blog: Chicago City Hall; Woman in the Waves

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Gamboling about downtown Chicago last Sunday night after the conclusion of the Third Coast audio festival, I walked up LaSalle Street past Chicago City Hall. I think I was inside once, back in the early 1970s, tracking down a copy of my birth certificate so I could get a passport. I don’t know the building well.

So I was struck, looking across LaSalle, at a series of four bas reliefs on the wall of the building. They are heroic renderings interpreting the life of the great city as it was understood a century ago, when City Hall was built. I found one of the panels arresting: It depicts what I saw as a woman in the waves, with a lighthouse nearby. Something about the sweep of the waves, the woman’s expression, the figure’s apparent passiveness in the midst of (what I see as) peril, the presence of the lighthouse, made me think this was about near-drowning and rescue — maybe depicting the city’s role as guardian of the shores. Or something.

Delving into the history of the City Hall figures a little, here’s what I can readily establish: The bas reliefs were designed (if not executed) by a well-known American sculptor and medalist named John Flanagan. Most Americans know one piece of Flanagan’s work: George Washington’s head on the quarter.

What are the bas reliefs meant to depict? Here’s some research by way of the April 25, 1956, editions of the Chicago Tribune. The piece was written to mark the beginning of sandblasting at City Hall to remove nearly a half-century’s accumulated grit and coal-smoke residue. The story makes it sound like that before sandblasting, it wasn’t even apparent that the “woman in the waves” relief was there. The writer takes up the figure shown in the waves:

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When the writer of this piece looked at the same bas relief I was viewing the other night, he saw it as an “Adonis like figure with long, wavy hair, and he is bathing in some extremely high surf.” He, not she.

Huh. If you look at the other three reliefs — here, here and here — the male figures are all, to my eye, unmistakably male. The few female figures are clearly female. So I’m wondering what the sculptor’s intent, as executed by construction workers, actually was.

But here’s something that I’m sure colors my viewing of the piece: When our mom was nine years old, she survived a near-drowning out at the Indiana Dunes. Four others in her family — a brother, an aunt, a cousin, and an uncle — all died. So that image, to me, is anything but abstract. When I look at it, I see tragedy and loss.

Road Blog: Chicagoland

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Chicagoland. Where did that name come from, anyway? I just submitted that question to WBEZ’s Curious City, which is a really interesting project if you haven’t heard it or seen it, so maybe they’ll investigate. I can tell from a brief scan of Google Books that my main assumption about the history — that it was the post-World War II brainchild of some advertising or marketing ace, is apparently incorrect. The name Chicagoland shows up at least as far back as the late 1920s. The favorite title I’ve found listed so far is 1938’s “Chicagoland Household Pests and How to Get Rid of Them.”

Fast forward to Tuesday, and here were my day’s activities in Chicagoland: I breakfasted with my sister Ann’s family on the North Side. I watched it rain. I drove down to the South Side (and a little beyond) to meet my brother Chris and visit the various Brekke, Hogan, O’Malley and Morans graves at Holy Sepulchre Cemetery. We went to lunch (Smashburger on 95th Street in Oak Lawn). Then I made a slow northward trek to Mount Olive Cemetery, where much of my dad’s family was buried.

I rounded out the excursion with a drive down Irving Park Road to the Dairy Queen near Central Avenue. I had a chocolate malted and actually said aloud, “Here’s to you, Pop.” He was a longtime DQ customer, and he and I visited that location many times in the last few years before he died.

It was cold out, in the 30s and windy, and after dark, but I wanted to check out a taxidermy place across the street from the Dairy Queen to see if I could get a decent shot of specimens in the windows. I don’t think I did. Then I walked west a couple blocks, cross Irving Park, then walk back east, just looking at what was happening in he storefronts along the way.

Dr. Charlemagne Guerrero, M.D. A music store advertising lessons in guitar and music theory. A dance studio with a kids’ ballet class going on. Several bars — Pub OK and The Martini Club and a couple I didn’t get the names of. A Polish antique store. Dr. M.A. Starsiak, general dentistry. A barber shop. A door bearing a sign reading “Emperor’s Headquarters.” Then I was back across the street from the taxidermy shop.

The warm car afterward was nice.

Road Blog: Harvest

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Visiting Chicago for a few days, I drove down to the south suburbs this afternoon — late in the afternoon, as it turned out — to see my brother Chris and his wife, Patty. They live in Tinley Park, about 25 miles southwest of downtown, within sight of the junction of Interstate 57 and Interstate 80, but far enough away that the highways aren’t present as a constant roar.

I had left early to avoid the worst of the commute traffic and had some time to kill, so I drove on past Tinley Park and got off I-57 a little to the south. Then I wandered west and south, watching the last of the sunset and the dusk come on. Most of the suburban sprawl in the Chicago area over the last 40 years has been to the northwest, west and southwest. Comparatively little has been built due south of the city in the area where I grew up.

Which isn’t to say nothing’s happened out there. Chris and Patty have a big house in a subdivision that was probably mostly corn and soybean fields 15 years ago. As I drove this evening, I wandered through one subdivision in Matteson I’d never seen before, and as I moved on, through the western edge of Richton Park and the farms west of Monee, I kept passing big, newish homes planted in ones and twos on big patches of land — ranchettes, of a sort, I guess, for people who probably work in the city or away in the western suburbs and want to enjoy some relatively splendid isolation.

I needed to answer the call of nature on one of the roadsides, and before I got back in the car, I decided to check out corn planted right up to the bank of a creek. It looked ready to harvest and given the fact the soil looked dry and combines would probably have no problem in the field, I was a little surprised the corn was still standing.

I was surprised as I drove that my sense of the checkerboard geography, or road-ography, was mostly intact. Heading south from Vollmer Road, the first big intersection was U.S. 30. Then Sauk Trail, then Steger Road, where I turned west until I got to 80th Avenue (where the avenue is 80th from, I don’t know). Then south again, past Stuenkel Road and Dralle Road and Monee-Manhattan Road and, sure, a couple roads whose names I didn’t know. Driving this part of eastern Will County, you’re reminded that the country has some contours; 80th Avenue climbs one of the low ridges (glacial moraines, I’m guessing), west and south of Monee, with the terrain falling away in every direction. Some of the ranchettes out there are built in spots that afford long views across the prairie.

Then up ahead, I saw a combine and grain cart working in a cornfield just off the road to the west. I stopped, thinking I might get an iPhone picture in the dark (I didn’t get one worth saving). As I stood there, parked in the road in my Bay Area get-up (shorts and flannel shirt), a man approached me from a truck parked at the edge of the field.

I told him pretty much straight up what I was doing: Just driving aimlessly, taking in the landscape, that I had lived nearby, had been away from the area a while, and was taking a look. Then I asked about the harvest.

To make a long story short, the farmer, a guy named Ron Schubbe, was working with his brother and his brother’s son on a 35-acre cornfield. His own son had a day job nearby but would also be helping out. He said the grain had been too wet to harvest, but now, “We’re hitting it pretty hard.” I didn’t get other salient facts — how long it would take to harvest 35 acres, how big his entire acreage was (because I’m assuming nobody out there in corn and soybean country harvests just 35 acres of anything), how long it would take to harvest the field they were working, how late they’d be working, or what it felt like to be bringing in the crop.

But I did ask how long he’d lived out there. “I was born and raised right here,” he said. How long had his family been out there? He said his great-grandfather had begun farming in the area, north of the town of Peotone, since the 1880s.

So I did find that out, at least. Then I wandered around a little more, noticing a couple of other combines moving through the fields in the dark, and headed to Chris and Patty’s as the night finally fell.

(Conclusion of the foregoing.)

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Live at North Berkeley BART: The Dan Nhi

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I’ve been seeing this man at the North Berkeley BART station for, gosh, at least a couple of years (time flies when you’re halfway paying attention). He’s one of a number of musicians who show up and perform for a few spare bucks during the evening commute. He plays a two-stringed instrument that I’ve always guessed is from eastern Asia, and I’ve always guessed that he’s Vietnamese.

I wouldn’t consider the guesses well-informed. Maybe sometime in the distant past I saw this instrument played somewhere and learned its origins. In any case, when I played the audio above for Kate and described what made it, she went online and quickly found a description of a two-string Vietnamese “fiddle” — the dan nhi.

I wanted to ask the man, who was wearing a Raiders cap, about himself, the instrument and his playing, which I found quite beautiful. But our conversation was very brief. When I asked whether he’s speak to me, he pointed to one of his ears and said, “I — no English.”

California Fire Season: Goofing with Maps

I don’t really have too much time on my hands. I have actual work I might be doing and undoubtedly will do. But wildfires have been a major professional preoccupation this summer — here’s a current example of what I’m talking about. And visualizing where the fires are and how big they are (in both absolute and relative terms) has become part of that preoccupation.

There are lots of maps out there. For instance, both Cal Fire’s site (maintained by our state firefighting agency) and Inciweb (the site reporting fires on federal lands) both feature maps of each and every conflagration. And there are independent mapping sites — for instance, the one that created this rather amazingly detailed map of the King Fire currently burning northeast of Sacramento — that provide details that most people would never even think of (for instance, overlaying wind data on the area where the fire is burning).

But of course, if you have a map, you want another map. So I started goofing around with a site/service a colleague introduced me to several months ago, Mapbox. My original purpose was to create a map that overlaid the footprint of the King Fire (which as of today has burned 82,000 acres, or 120 square miles) on the Bay Area. In theory, that would allow Bay Area people to envision better what that burned area means in a context they may understand better than a) “82,000 acres” and b) 120 square miles. I discovered that it’s easy to find the data showing the footprint of the King Fire and others, and I wound up making the map above. Plenty of room for improvement there. For instance, including the date and size of each fire.

The execution of my original concept, accomplished with my crude beginner’s skills in Photoshop, is below. I tweeted that image, and someone out there on the twtinternets suggested I could make this image more interesting by rotating the overlaid fire footprint so that it’s aligned better with the San Francisco Peninsula. Well, maybe I will.

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Along the Road

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I have just gone an entire calendar month without a post on The Blog. I supposed that’s been a long time coming — I have been more and more occupied by my paid writing activities and have had less and less energy for my spare-time quasi-literary activities. So here it is, the first night of September, and I see that I went 0 for August.

I was on the road a little bit the last few weeks. A trip up to Yosemite to pick up Kate after a weekend science-teacher seminar. A trip down to San Diego to pick her up after a weeklong science-teacher training. Then last week, in a trip that had nothing to do with Kate’s science teaching, I went up to Northern California to do some reporting on a salmon-and-water story. Being up there, I also did some exploring, tracing the Trinity River its entire length below the last dam on its waters, then following the Klamath River as far as the Interstate 5 bridge north of Yreka. That river journey was on two highways — 299, which runs northwest from Redding out to the Humboldt County coast, and 96, which follows the Trinity River north from 299 up to its confluence with the Klamath.

That part of California has been a big blank space in my personal map of California, and I tried to stop and take a look at the countryside and the communities along the way; of course, that was a little bit of a challenge because I had set myself a nearly absurd amount of ground to cover in one day of two-lane driving, something approaching 400 miles. But I did take in towns like Weaverville, where I stayed for one night long ago, and places I had never seen, like Hawkins Bar, Burnt Ranch, Salyer, Willow Creek, Hoopa, Weitchpec, Orleans, Happy Camp, and Seiad Valley. To be honest, I think I’d need to go back again two or three times before any of them is imprinted on my brain, though I can tell you that Hawkins Bar has a saloon named Simon Legree’s. I did not get a picture of the place, and I did not stop to ask for an explanation of how the villain of “Uncle Tom’s Cabin” wound up being the inspiration for a roadhouse.  

I did stop briefly in Willow Creek, where Highway 96 turns north from 299. From the superficial passing-motorist’s glance, it’s a pretty tidy-looking small town with a manicured business district (the town promotes itself as a capital of all things Bigfoot). I stopped because I had seen a couple small roadside memorials — crosses with flowers and other mementos — on the side of the road into town. The first memorial, at an old truck scale on a bluff above the river, included a rubber duck but didn’t have a name visible. The second memorial, about a mile and a half up the road, appeared recent and included a name, Alejandro Garcia.

Here’s the story of what happened to Mr. Garcia, as related by the North Coast Journal in late June:

Willow Creek Hit and Run Victim Identified

The pedestrian killed in a hit-and-run collision in Willow Creek on Saturday has been identified as 22-year-old Manuel Alejandro Garcia.

Humboldt County Deputy Coroner Roy Horton said Garcia appeared to have been walking on the shoulder of the westbound lane of State Route 299, where it makes a sweeping left-hand turn in front of Buddy’s Auto Center, when he was hit. Horton said Garcia lived close by, with his mother and brother, and appears to have been out walking his dog.

“I found a dog leash and chain at the scene,” Horton said, adding that the dog returned to Garcia’s home after the accident, which occurred at about 10 p.m. Saturday.

The California Highway Patrol responded to a call reporting the accident and found Garcia dead, but the driver had fled the scene. A short time later, officers found a car believed to have been involved in the accident parked behind Ray’s Market in Willow Creek. With the help of a dog from the Arcata Police Department, officers spent four hours searching the scene but were unable to locate the driver.

California Highway Patrol officer Michael Berry said officers used the vehicle’s registration information to track down its suspected driver, Daniel Roy Jones, 36, of Arcata, who was arrested at his home without incident at about 11:30 Sunday morning and booked into jail on suspicion of driving under the influence, hit and run, manslaughter and delaying or obstructing an officer. …

That was more than two months ago. The only postscript I find in the local media is that the suspect in the case posted bail, apparently the day after he was arrested. You kind of wonder what the legal consequences will ultimately be.

Passers-By

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Just remembering: It was two years ago today that our dad passed on. I’m not sure a day goes by that I don’t have some thought of him (and yes, of our mom, too — she died in August 2003, and it’s hard to believe it’s been that long).

Here’s a reading for them, two lifelong Chicagoans: Carl Sandburg’s “Passers-By,” from “Chicago Poems” (1916):

PASSERS-BY,
Out of your many faces
Flash memories to me
Now at the day end
Away from the sidewalks
Where your shoe soles traveled
And your voices rose and blent
To form the city’s afternoon roar
Hindering an old silence.

Passers-by,
I remember lean ones among you,
Throats in the clutch of a hope,
Lips written over with strivings,
Mouths that kiss only for love.
Records of great wishes slept with,
Held long
And prayed and toiled for…

Yes,
Written on
Your mouths
And your throats
I read them
When you passed by.

Dining-Room Visitor

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Earlier this month, Kate spotted some wild fennel stuffed into a yard-waste bin here in the neighborhood. Wild fennel, which has become profuse here, is kind of weedy and annoying; once it takes root, it’s very hard to get rid of.

But it’s also a host plant for a butterfly called the anise swallowtail (Papilio zelicaon), whose image has graced this blog before. It’s a largish black-and-yellow beauty, at least in the eye of this beholder.

So, having spotted the fennel in the bin, Kate took a look to see if any anise swallowtail caterpillars might be there, too. To her surprise, she found 10, including a couple that were probably close to going into their chrysalides. So she brought the caterpillar and their host sprigs of fennel back home, where they took up residence in our dining room.

Within just a few days, one of the caterpillars crawled onto the vase that held the fennel and began preparing to go into its chrysalis. We left town for a couple of days, and when we came back, the chrysalis was complete. (See the photos below; click for bigger versions of the images.) That was less than two weeks ago. Since we’ve sometimes watched chrysalides for months and months before a butterfly appears (if one appears at all), I was kind of thinking we’d be into the autumn before anything more happened.

But this morning, Kate got up, walked into the dining room, then called out, “We have a butterfly out here now!”

So now, it’s doing what it needs to do for the next stage in its life cycle. We’ll watch.

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No Tools Required

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We have a bathroom sink with a broken stopper — or at least a stopper I’ve been ineffective at fixing. So I followed up on a months-old resolution and bought an old-fashioned rubber stopper. To cover all bets, I got one that fits a range of drain sizes. And it works great. I run water into the sink, and the imperturbable stopper makes sure it just stays there.

I admit I thought the device was self-explanatory. But Kate pointed out after I’d removed the stopper and left the package just lying around on the kitchen counter that it came with installation instructions. Or “installation instructions,” since nothing there really tells you what you need to do with the drain plug to achieve total stopper satisfaction.